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Inés Fontenla recounts Russia's 2024 Biennale pavilion handover to Bolivia

opinion-review · 2026-04-26

Argentine artist Inés Fontenla, invited by Bolivia to the 2024 Venice Biennale, describes how Russia ceded its pavilion to Bolivia amid strong economic and political ties. The curator was replaced by Bolivia's new Minister of Culture one month before the opening, leading Fontenla to question the event's independence from political interests. She realized Russia was using Bolivia as a front to re-enter the Biennale after its 2022 pavilion closure, following the resignation of its curator and artists in protest of the Ukraine invasion. Fontenla withdrew from the exhibition, refusing to be instrumentalized by a military power. She draws parallels to the 2026 Biennale, warning that the Russian pavilion is managed by oligarchs and that many Russian cultural figures oppose their government's policies.

Key facts

  • Russia ceded its Venice Biennale pavilion to Bolivia in 2024.
  • Inés Fontenla was invited by Bolivia to participate in the 2024 Biennale.
  • The curator was replaced by Bolivia's new Minister of Culture one month before the opening.
  • Fontenla withdrew from the exhibition, citing instrumentalization by Russia.
  • The Russian pavilion was closed in 2022 after its curator and artists resigned in protest of the Ukraine invasion.
  • Fontenla notes strong economic and political ties between Russia and Bolivia in 2024.
  • Bolivia's 2025 elections changed the political landscape.
  • Fontenla's work focuses on peace.

Entities

Artists

  • Inés Fontenla

Institutions

  • Biennale di Venezia
  • Artribune
  • Bolivia Pavilion
  • Venice Biennale
  • Russia Pavilion
  • UNESCO

Locations

  • Russia
  • Bolivia
  • Venezia
  • Italy
  • Argentina
  • Ucraina
  • Venice

Sources