Indigenous Art and Activism Merge in 'Um outro céu' Digital Platform
An interactive digital platform titled 'Um outro céu' merges art with political ecology and anthropology to spotlight Brazil's Indigenous struggles. The project centers on a map of the Northeast region, created by artist and designer Denilson Baniwa, which uses Indigenous graphic symbols to pinpoint specific territorial conflicts like deforestation and resource exploitation. Alongside these conflict markers, photographs link to artworks by fifteen invited Indigenous artists, including Arissana Pataxó, Glicéria Tupinambá, and Ailton Krenak, who each received a 2,000 reais award. The initiative originated from an international academic research network, 'Sustainable' Development and Atmospheres of Violence, coordinated by Felipe Milanez and Mary Menton and funded by the British Academy. It later expanded to include an emergency research plan on COVID-19's impacts, which project coordinators Jurema Machado, Felipe Tuxá, and Felipe Milanez describe as revealing a context of genocide. All research scholarships for the project's academic components are held by Indigenous students, a methodological choice to center Indigenous knowledge. The platform explicitly connects artistic expression to ongoing land disputes and resistance, arguing that Indigenous territories are inherently sites of anticolonial struggle and creative world-making.
Key facts
- The project 'Um outro céu' combines art, political ecology, and anthropology to focus on Indigenous Brazilian struggles.
- An interactive map by Denilson Baniwa uses Indigenous graphics to locate conflicts like deforestation in Northeast Brazil.
- Fifteen Indigenous artists, including Arissana Pataxó and Ailton Krenak, were commissioned, each receiving 2,000 reais.
- The project stemmed from the academic research 'Sustainable' Development and Atmospheres of Violence, funded by the British Academy.
- Coordinators include professors Jurema Machado, Felipe Tuxá, and Felipe Milanez.
- The project expanded to study COVID-19's impact, which coordinators frame within a context of genocide against Indigenous peoples.
- All student researchers on the project are Indigenous, a deliberate methodological choice.
- The platform links artworks directly to territorial conflicts, asserting that Indigenous art cannot be divorced from political struggle.
Entities
Artists
- Denilson Baniwa
- Glicéria Tupinambá
- Jurema Machado
- Felipe Tuxá
- Felipe Milanez
- Mary Menton
- Arissana Pataxó
- Eduarda Yacunã Tuxá
- Olinda Yawar Tupinambá
- Edivan Fulni-ô
- Leide Pankararu
- Lindaura Xukuru-Kariri
- Ziel Karapotó
- Benício Pitaguary
- Reginaldo Kanindé
- Arawi Suruí
- Irekran Kayapó
- Kryt Gavião Akrãtikatejê
- Isael Maxakali
- Ailton Krenak
- Daniela Jenipapo-Kanindé
- Raquel Jenipapo-Kanindé
Institutions
- Universidade Federal da Bahia (UFBA)
- Universidade Federal do Recôncavo da Bahia (UFRB)
- Universidade do Estado da Bahia (Uneb)
- Universidade de Sussex
- British Academy
- Apoinme
- Museu Indígena Jenipapo-Kanindé
- Coletivo de Estudantes Indígenas
Locations
- Brazil
- Northeast Brazil
- Bahia
- Espírito Santo
- Minas Gerais
- Pará
- Grã-Bretanha
- United Kingdom
- Sussex