Ilona Sagar's 'Haptic Skins of a Glass Eye' Explores Technology and the Body Through Video, Sculpture, and Performance
Ilona Sagar's exhibition, 'Haptic Skins of a Glass Eye,' delves into the interplay between modern bodies and technology. Central to the show is a 2015 video that showcases close-ups of bodies, eyes, and glass, paired with a fragmented voiceover that hints at a conversation between users and their tools. The work draws on the 'glass delusion,' a historical condition from the 15th to 17th centuries where people feared they were made of glass, coinciding with the rise of Cristallo glass perfection. In this context, glass serves as a viewing medium, while modernist architecture utilized it for its transparency. Sagar's portrayal presents glass as distorted and flexible. The installation also features sculptures by Jochen Holz, a paper scan of body parts, and actors reenacting recorded interviews. An online exclusive was released on 3 December 2015.
Key facts
- Ilona Sagar's exhibition 'Haptic Skins of a Glass Eye' explores the relationship between the body and technology
- The show includes a 2015 video with intrusive close-ups of bodies, eyes, glass-blowing, and screens
- The concept references 'glass delusion,' a psychic disorder from 15th-17th century Europe
- Master glass-blower Jochen Holz created sculptures for the installation
- The installation features glass sculptures, a body part scan, and a vinyl wallwork with fragmented text
- A performative element involves actors repeating interviews between Sagar, psychiatrists, and neuroscientists
- The exhibition questions the transparency of mediated experiences through video, sculpture, and performance
- An online exclusive was published on 3 December 2015
Entities
Artists
- Ilona Sagar
- Jochen Holz
- Janet Leigh
Institutions
- ArtReview
- Tenderpixel
Locations
- Europe