Ilit Azoulay's Photomontages Merge Archival Practice with Digital Manipulation

Ilit Azoulay produces expansive photomontages that fuse archival methods, investigation, and digital artistry, creating both utopian and dystopian environments. The Musée national d’art moderne in Paris has acquired a unique edition of her artwork, and she is currently the inaugural artist-in-residence at Kunst-Werker in Berlin, connecting Bauhaus ideologies between Germany and Israel. Azoulay captures images of dislocated sculptures alongside Bauhaus structures, probing the impact of architecture on national recovery. Her work delves into the integration of Bauhaus in Israel after WWII. In her latest exhibition, 'Linguistic Turn,' at Braverman Gallery in Tel Aviv, she draws on the philosophies of Wittgenstein and Heidegger. Her studio resembles a contemporary Wunderkammer, showcasing Israeli building methods and pushing the boundaries of visual perception.