Hyderabad's Flyover Murals Reveal Managed Public Space Paradox
Under the GHMC's 'City Art Scape' initiative, Reshma Esther Thomas examines the flyover pillars in Hyderabad adorned with Cheriyal-style murals. While these artworks seem to enhance the city's aesthetics, they symbolize a cultural affirmation following the bifurcation of Andhra Pradesh in 2014. Thomas contends that perceiving public spaces solely in terms of spatial dimensions—such as area, zoning, and physical access—overlooks important aspects. The initiative transforms a space that previously belonged to marginalized groups into a bureaucratic entity. V.V. Kusum Priya further notes that if publicness is merely defined by legal access, then these areas were never genuinely public.
Key facts
- Hyderabad's flyover pillars painted with Cheriyal-style murals
- GHMC's 'City Art Scape' initiative
- Analysis by Reshma Esther Thomas
- Murals reveal paradox of managed public space
- Cultural assertion after 2014 bifurcation
- Bureaucratising a surface once belonging to the powerless
- Quote from V.V. Kusum Priya on publicness
- Public space reduced to legal accessibility
Entities
Artists
- Reshma Esther Thomas
- V.V. Kusum Priya
Institutions
- GHMC (Greater Hyderabad Municipal Corporation)
Locations
- Hyderabad
- India