How narrative changes in the contemporary era: from text to process
Giuliana Benvenuti, a faculty member at the University of Bologna, has curated "Letteratura italiana dal 1895 a oggi," a comprehensive 500-page examination of Italian literature spanning from 1895 to today. This volume posits that storytelling has transitioned from a completed work to a continual process that intertwines literature with visual representation. It references Umberto Eco's "The Name of the Rose" alongside its cinematic version by Jean-Jacques Annaud, and explores Andrea Camilleri's development through a tennis match featuring Georges Simenon, Gino Cervi, and Luca Zingaretti. Benvenuti also critiques the exclusion of Giuseppe Berto's "Il male oscuro." Furthermore, the book addresses the influence of the "videosphere" and artificial intelligence on literary creation, proposing that prose has become a blueprint for visual media.
Key facts
- Giuliana Benvenuti edited 'Letteratura italiana dal 1895 a oggi'
- Benvenuti is a professor of contemporary literature at the University of Bologna
- The book covers Italian literature from 1895 to the present
- 1895 is the symbolic year of cinema's invention
- The work omits 'Il male oscuro' by Giuseppe Berto and 'Porci con le ali'
- Umberto Eco's 'The Name of the Rose' and its film adaptation by Jean-Jacques Annaud are cited
- The Andrea Camilleri case involves Simenon, Cervi, Camilleri, and Zingaretti
- The concept of 'remediation' by Jay David Bolter and Richard Grusin is referenced
- Lucia Quaquarelli is quoted: 'Vedere è sapere'
- The article was written by Domenico Ioppolo
Entities
Artists
- Giuliana Benvenuti
- Giuseppe Berto
- Umberto Eco
- Jean-Jacques Annaud
- Andrea Camilleri
- Georges Simenon
- Gino Cervi
- Luca Zingaretti
- Jay David Bolter
- Richard Grusin
- Lucia Quaquarelli
- Massimo Cacciari
- Georg Wilhelm Friedrich Hegel
- Plato
- Domenico Ioppolo
Institutions
- University of Bologna
- Artribune
Locations
- Italy