Historical Analysis of Art Periodicals' Role in Shaping Art Worlds from 1960s to Present
Gwen L. Allen's essay published on October 5, 2016 examines how art magazines have functioned as critical platforms within art communities. The analysis focuses on Artforum and October during the 1960s and 1970s North American art scene. These publications are situated within broader publishing traditions including self-produced Salon pamphlets, small-circulation magazines, and periodicals created by artists. Distribution methods of periodicals are shown to influence the political dimensions of art criticism. Magazines serve as mediators between different public spheres and alternative communities within artistic networks. The essay also considers the evolving role of both traditional print publications and emerging digital media in today's globalized art environment. Content for this article requires subscription access through MIT Press.
Key facts
- Essay published October 5, 2016
- Authored by Gwen L. Allen
- Examines Artforum and October magazines
- Focuses on 1960s-1970s North American art world
- Considers self-published Salon pamphlets and artists' periodicals
- Analyzes how distribution affects art criticism politics
- Explores magazines as sites of critical publicity
- Content available via MIT Press subscription
Entities
Artists
- Gwen L. Allen
Institutions
- Artforum
- October
- MIT Press
- ARTMargins Online
Locations
- North America