ARTFEED — Contemporary Art Intelligence

Hiroshi Sugimoto's Le Notti Bianche at Fondazione Sandretto Re Rebaudengo

exhibition · 2026-04-20

Hiroshi Sugimoto's exhibition, Le Notti Bianche, took place at Fondazione Sandretto Re Rebaudengo in Turin from 16 May to 1 October 2017, marking his return to the Theaters series after a 12-year hiatus. The showcase included 20 photographs capturing historic Italian theaters such as Teatro Carignano (1752), Villa Mazzacorati's private theater (1763), Teatro Olimpico (1580-1585), and Teatro all'antica (1588-1590). Sugimoto delves into the architectural roots of American movie theaters from the 1920s, presenting each venue from two viewpoints: the stage and the auditorium. The exposure times were influenced by screenings of Italian classics, including Pasolini's Salò (1975) and Visconti's Le Notti Bianche (1957). He perceives theaters as almost sacred spaces, with images evoking a sense of spiritual presence and ghostly inhabitance.

Key facts

  • Exhibition ran from 16 May to 1 October 2017
  • Featured 20 photographs of Italian theaters
  • Marked return to Theaters series after 12-year hiatus
  • Theaters photographed include Teatro Carignano (1752), Villa Mazzacorati theater (1763), Teatro Olimpico (1580-1585), Teatro all'antica (1588-1590)
  • Films screened include Salò (1975), Le Notti Bianche (1957), I Vitelloni (1953)
  • Each theater represented by two images: stage and auditorium
  • Photographs blend film screening time, exposure time, and attention time
  • Sugimoto's essay 'Image of the Void' discusses theaters as religious spaces

Entities

Artists

  • Hiroshi Sugimoto
  • Andrea Palladio
  • Pier Paolo Pasolini
  • Luchino Visconti
  • Federico Fellini

Institutions

  • Fondazione Sandretto Re Rebaudengo
  • ArtReview Asia

Locations

  • Turin
  • Italy
  • Bologna
  • Vicenza
  • Sabbioneta
  • United States

Sources