Hidden symbolism in Uffizi's 'Annunciation' revealed by art historian
Art historian Massimo Giontella has unraveled the meaning behind 'L'Annunciazione' housed in the Uffizi, which is credited to Antonio del Pollaiolo with contributions from Leonardo da Vinci. Radiographic examinations have uncovered a pentimento: originally, the Archangel Gabriel was depicted looking down at the Ara, but this was later adjusted to gaze upwards at Mary. A shadow cast by Gabriel on the grass signifies Lorenzo de' Medici's involvement in the conflict against the Turks, bolstered by an iris among lilies and financing of 20,000 ducats. Gabriel's finger indicates a laurel tree in tribute to Lorenzo, while a federician eagle symbolizes Federico da Montefeltro. Commissioned in 1481, the artwork remained at Rusciano until 1498, when it was sold to Carlo Frescobaldi and later passed to the Gondi family until the early 18th century.
Key facts
- The Annunciation at the Uffizi is by Antonio del Pollaiolo with Leonardo da Vinci
- Radiographic exam shows Gabriel's gaze was originally directed downward
- Gabriel's shadow symbolizes Lorenzo de' Medici's role in the Turkish war
- Iris among lilies represents Florence and 20,000 ducat financing
- Laurel tree is an homage to Lorenzo de' Medici as Apollo
- Federico da Montefeltro is represented by a federician eagle
- 2000 restoration partially obscured the eagle and mountain details
- Painting moved from Rusciano to Monte Oliveto via Gondi family
Entities
Artists
- Antonio del Pollaiolo
- Leonardo da Vinci
- Massimo Giontella
- Federico da Montefeltro
- Lorenzo de' Medici
- Cristoforo Landino
- Guidobaldo da Montefeltro
- Carlo Frescobaldi
- Giuliano Gondi
- Riccardo Fubini
Institutions
- Uffizi
- National Gallery of London
- University of Florence
- Monastery of Monte Oliveto
- Artribune
- Amazon
Locations
- Florence
- Italy
- Rome
- Rusciano
- London
- England