Henry Shum's 'Vortices' at Empty Gallery Blurs Art Historical Canons
Henry Shum, an artist from Hong Kong, showcased his first solo exhibition titled 'Vortices' at Empty Gallery from September 26 to November 21, 2020. The exhibition included 12 paintings that challenge conventional artistic styles. In 'Annunciation' (2020), the Virgin Mother is portrayed in muddy ochres, accompanied by a hazy Gabriel, while 'Woman and Child' (2020) presents an ambiguous view of maternal bonds. 'Memory of a Landscape' (2020) creates disorientation with its algae puddles. Shum’s approach, inspired by Lui Shou-Kwan, utilizes thin layers of oil paint. 'Ancient of Days (Descending Elephant Fish)' (2020) incorporates Qing dynasty motifs, appearing alongside 'Annunciation' like worn frescoes, with architectural features that alter spatial perception. Paintings such as 'Revolution of Night' (2020) delve into dream-like logic, examining subconscious realms and spiritual connections.
Key facts
- Henry Shum's debut solo show 'Vortices' ran from 26 September to 21 November 2020
- The exhibition featured 12 paintings created in 2020
- Empty Gallery in Hong Kong hosted the exhibition
- Shum contorts portraiture, landscape, and religious imagery genres
- Paintings reference Hong Kong's postwar New Ink Movement and Lui Shou-Kwan
- Architectural elements include cloister-like passageways with dead-end walls
- Shum equalizes European and Asian art history canons
- The show explores subconscious terrain and dream logic
Entities
Artists
- Henry Shum
- Lui Shou-Kwan
Institutions
- Empty Gallery
Locations
- Hong Kong