Henrique Oliveira's Organic Sculptures Invade Galerie Vallois
Henrique Oliveira's exhibition at Galerie Vallois in Paris from September 9 to October 9, 2011, features large-scale organic sculptures that burst out of the white cube. The centerpiece, Desnatureza, resembles a twisted tree trunk that appears to tear through the floor and ceiling, creating a surreal, fantastic atmosphere. Oliveira uses reclaimed palisade wood from construction sites in São Paulo to create works that blend painting, architecture, and sculpture. Pieces like Boxoplasmose use plywood to create pathological-looking forms that overflow their boundaries. While the works evoke issues of Amazon deforestation and urbanism in Brazil, Oliveira resists a political reading, focusing instead on the interplay between sculpture and painting, as seen in the high-relief Xilempasto 3. However, his acrylic paintings are less convincing, confined to traditional canvas limits. The review is by Carole Boulbès.
Key facts
- Exhibition at Galerie Vallois, Paris, September 9 – October 9, 2011
- Centerpiece sculpture titled Desnatureza resembles a twisted tree trunk
- Oliveira uses reclaimed palisade wood from São Paulo construction sites
- Works blend painting, architecture, and sculpture
- Boxoplasmose features plywood that overflows its structure
- Artist avoids political interpretation despite environmental themes
- Xilempasto 3 is a high-relief work linking sculpture and painting
- Acrylic paintings are less convincing and more traditional
Entities
Artists
- Henrique Oliveira
- Carole Boulbès
Institutions
- Galerie Vallois
Locations
- Paris
- France
- São Paulo
- Brazil
Sources
- artpress —