ARTFEED — Contemporary Art Intelligence

Henrik Olesen's Expansive Reina Sofía Exhibition Dismantles Familialism and Capital

exhibition · 2026-04-22

From 26 June to 21 October 2019, the Museo Nacional Centro de Arte Reina Sofía in Madrid hosted an expansive exhibition by Henrik Olesen, which was curated without a specific title. The display featured architectural elements that facilitated a sense of both enclosure and dissolution. It commenced with 'Mr. Knife and Mrs. Fork' (2009), a political satire on radical disinheritance, and included 'Portrait of my Mother' and 'Portrait of my Father.' One room showcased a representation of Alan Turing's body alongside a disassembled Powerbook G4, critiquing capitalist alienation and referencing Turing's conviction and subsequent suicide. Additional works included 'Some Faggy Gestures' (2007), 'Corners' (2015), and recent pieces like 'Exit/Portal' (2018) and 'As Yet Untitled' (2018), which address historical repression.

Key facts

  • Exhibition ran 26 June to 21 October 2019 at Museo Nacional Centro de Arte Reina Sofía, Madrid.
  • Olesen made architectural interventions: revealing windows, scaling walkways, partitioning spaces.
  • Show has no title; bracketed by artist's name in vinyl wall text.
  • Opens with 'Mr. Knife and Mrs. Fork' (2009), a burlesque political parody against the family.
  • Includes 'Portrait of my Mother' (2009) and 'Portrait of my Father' (2009) as planks of wood.
  • Text panel quotes Antonin Artaud via Deleuze and Guattari's 'Anti-Oedipus'.
  • Doritos box with plastic knife and metal fork serves as maquette of the institution.
  • Alan Turing's body reproduced via emptying out, with disassembled Powerbook G4 laptop.
  • Turing convicted in 1953, forced chemical castration, suicide by cyanide-laced apple.
  • 'Some Faggy Gestures' (2007): seven panels of web images of queer gazes from pre-modern culture.
  • 'Corners' (2015): plaster casts of corners collapsed on floor with pamphlet 'Sex (In Public)'.
  • Anthony Caro's 'Early One Morning' (1962) appropriated, surrounded by butchered carcass images.
  • Wall text by John Kelsey quotes Dante's 'Inferno'.
  • Recent works: painted-over painkiller packaging, 'Exit/Portal' (2018), perspex 'M', 'As Yet Untitled' (2018).
  • Essay by Camilla Wills published 10 December 2019 on Afterall.

Entities

Artists

  • Henrik Olesen
  • Antonin Artaud
  • Gilles Deleuze
  • Félix Guattari
  • Alan Turing
  • Anthony Caro
  • John Kelsey
  • Gerry Bibby
  • Andrew Culp
  • Maurizio Lazzarato
  • D. W. Winnicott
  • Camilla Wills

Institutions

  • Museo Nacional Centro de Arte Reina Sofía
  • Afterall
  • Lumiar Cité

Locations

  • Madrid
  • Spain
  • Lisbon
  • Portugal

Sources