Hélio Oiticica's Unpublished 1969 Essay on 'Crebehavior' and Anti-Art Radicalization
Hélio Oiticica authored an essay titled 'The Senses Pointing Towards a New Transformation' from June 18 to June 25, 1969, in London, which he submitted to Studio International but was never printed. In this text, Oiticica addressed the need to move beyond art after objecthood, aiming to radically advance anti-art beyond the stalemate between formalist art and neo-avant-garde negations in both Brazilian and international contexts. He argued that after Neoconcretism and Minimalism, the very process of art making required rethinking. Oiticica introduced 'crebehavior,' a practice exposing the routine nature of daily life and proposing its transformation through altered behavioral patterns. This approach could lead to 'creleisure,' a state Oiticica saw as both realizing and dissolving art. The essay contextualizes his project to effect a definitive radicalization, highlighting his engagement with broader artistic impasses. The content is available via MIT Press under a subscription-only model, with the original source published on ARTMargins Online on June 5, 2018.
Key facts
- Hélio Oiticica wrote 'The Senses Pointing Towards a New Transformation' between June 18 and June 25, 1969
- The essay was submitted to Studio International but never appeared in print
- Oiticica aimed to radicalize anti-art beyond formalist and neo-avant-garde conflicts
- He developed 'crebehavior' to transform everyday life through behavioral changes
- This practice could lead to 'creleisure,' involving art's realization and dissolution
- The essay addresses art after objecthood and the impasse in Brazilian and international neo-avant-gardes
- Content is available through MIT Press with subscription-only access
- ARTMargins Online published the article on June 5, 2018
Entities
Artists
- Hélio Oiticica
Institutions
- Studio International
- MIT Press
- ARTMargins Online
Locations
- London
- United Kingdom
- Brazil
Sources
- ARTMargins —
- ARTMargins —