Helen Mirra's Stockholm exhibition features woven triangles from black sheep wool, exploring walking and not-knowing

Helen Mirra's current exhibition at Galerie Nordenhake in Stockholm runs through September 26, 2015. The show features woven triangles made from undyed wool of two black sheep, displayed alongside folded wool sculptures on the floor. Text-image works created during intentional pauses along walking routes are presented in the center room, with one photograph showing the artist's hand holding a rock. Mirra describes her practice as shifting from making work about the idea of the outside to actually being outside during creation, influenced by residencies in Berlin and Basel. She identifies as a "brazen amateur" who embraces not-knowing, citing Zen teachings and the phrase "not-knowing is most intimate." The artist discusses her preference for walking in unmanaged green spaces and forests, mentioning specific influences including André Cadere, Ad Reinhardt, percussionist Robyn Schulkowsky, and writers like Ruth Ozeki. Mirra reveals upcoming collaborative shows in Berlin with Allyson Strafella in January, featuring referential weaving experiments and typewriter drawings. The conversation between Mirra and Emmalea Russo occurred via email from August 18-20, 2015, connecting Brooklyn and Stockholm.