ARTFEED — Contemporary Art Intelligence

Helen Frankenthaler Dual Exhibition in Rome and Venice

exhibition · 2026-05-04

In 2019, Italy honors Helen Frankenthaler (1928-2011) with two parallel exhibitions: a focused show at Gagosian in Rome covering 1974-1983, and an anthological exhibition at Palazzo Grimani in Venice during the Biennale. Both are curated by John Elderfield, a critic and expert on the artist. The Rome exhibition highlights Frankenthaler's shift after moving to Connecticut, where she sought greater complexity and completeness in her work, moving away from Greenbergian flatness. The pivotal painting "Sea change" introduces a marine horizon and three-dimensionality, linking her to Turner and Venetian atmospheric painting. Frankenthaler, known for the "soak stain" technique, produced a dozen large-scale works in this period that exhibit a more epic, three-dimensional quality, distancing her from orthodox Color Field aesthetics. The article notes her early influence on Morris Louis and Kenneth Noland with "Mountains and Sea" (1952).

Key facts

  • Helen Frankenthaler exhibitions in Rome (Gagosian) and Venice (Palazzo Grimani) in 2019
  • Rome exhibition focuses on 1974-1983 period
  • Venice exhibition is anthological, concurrent with Biennale
  • Curated by John Elderfield
  • Frankenthaler moved to Connecticut during this period
  • Key painting 'Sea change' introduces marine horizon and three-dimensionality
  • Frankenthaler pioneered 'soak stain' technique
  • Her early work 'Mountains and Sea' (1952) influenced Morris Louis and Kenneth Noland

Entities

Artists

  • Helen Frankenthaler
  • John Elderfield
  • Morris Louis
  • Kenneth Noland
  • J.M.W. Turner

Institutions

  • Gagosian
  • Palazzo Grimani
  • Fondazione Helen Frankenthaler
  • Artists Rights Society (ARS)
  • Artribune

Locations

  • Rome
  • Italy
  • Venice
  • New York City
  • Darien
  • Connecticut

Sources