Harald Szeemann and the Curator-Artist Myth at Lyon Biennale
Harald Szeemann, the influential curator who shaped the myth of the curator-as-artist, is directing the 1997 Lyon Biennale titled 'L'Autre'. In conjunction with the event, art press commissioned Xavier Douroux and Yves Aupetitallot to assess the apparent stabilization and institutionalization of the curator-artist approach. Szeemann, known for championing obsession and being a severe critic, asserts his desire to blend subversion with stabilization and urges artists to return to the museum. His career includes landmark exhibitions such as 'Peintres Poètes / Poètes Peintres' (1957), 'When Attitudes Become Form' (1969), Documenta 5 (1972), 'Illusion, Emotion, Reality', and 'The Seventh Art in Search of the Other Six' (1995-1996).
Key facts
- Harald Szeemann directed the 1997 Lyon Biennale titled 'L'Autre'.
- art press commissioned Xavier Douroux and Yves Aupetitallot to analyze the curator-artist phenomenon.
- Szeemann curated 'Peintres Poètes / Poètes Peintres' in 1957.
- He curated 'When Attitudes Become Form' in 1969.
- He curated Documenta 5 in 1972.
- He curated 'Illusion, Emotion, Reality' and 'The Seventh Art in Search of the Other Six' (1995-1996).
- Szeemann advocated blending subversion with stabilization.
- He urged artists to return to the museum.
Entities
Artists
- Harald Szeemann
- Xavier Douroux
- Yves Aupetitallot
Institutions
- Biennale de Lyon
- art press
- Documenta
Locations
- Lyon
- France
Sources
- artpress —