ARTFEED — Contemporary Art Intelligence

Hans Josephsohn's Sculptural Power on View at ICA Milano

exhibition · 2026-05-04

ICA Milano presents a solo exhibition of Swiss sculptor Hans Josephsohn (1920–2012), whose work is characterized by dense, tactile forms and a rejection of idealization. Josephsohn's process-driven approach treats each sculpture as a temporary result of creative thought, emphasizing materiality and multiple viewpoints. The artist's interest in optical corrections, light as a compositional element, and the architectural relationship between sculpture and space aligns him with ancient masters. Critic Alberto Salvadori notes the absolute value Josephsohn places on the art-space relationship. The work has been described as 'existential' by Chiara Nuzzi, serving as a means of understanding the human condition. Josephsohn himself stated that 'the starting point is simply us,' reflecting his focus on people. The exhibition highlights his robust volumes, reminiscent of Easter Island Moai, and his continuous experimental modeling.

Key facts

  • Hans Josephsohn was born in Königsberg (now Kaliningrad) in 1920 and died in Zurich in 2012.
  • The exhibition is held at ICA Milano in 2019.
  • Josephsohn's sculptures are described as 'formal facts' with robust volumes.
  • The artist's technique involves multiple viewpoints, recalling ancient sculptors.
  • Alberto Salvadori highlighted Josephsohn's attention to the relationship between art and space.
  • Chiara Nuzzi defined Josephsohn's sculpture as 'existential'.
  • Josephsohn said 'the starting point is simply us' in a conversation with Amine Haase.
  • The works are presented as temporary results of the artist's creative process.

Entities

Artists

  • Hans Josephsohn
  • Alberto Salvadori
  • Chiara Nuzzi
  • Amine Haase
  • Francesca Mattozzi

Institutions

  • ICA Milano
  • Artribune

Locations

  • Königsberg
  • Kaliningrad
  • Zurich
  • Switzerland
  • Milan
  • Italy

Sources