Hana Usui: Calligraphy and Abstraction at Galerie Oko
Hana Usui's exhibition at Galerie Oko in Berlin, from September 15 to November 17, 2007, showcases her transition from traditional Japanese calligraphy to abstract drawing. Trained in calligraphy from age six, Usui spent twenty years mastering the art before abandoning the written sign. Her work retains calligraphic principles—suggestion, irregularity, evanescence, and emptiness—but replaces characters with abstract lines. The artist enters a trance-like state while painting, and her compositions evoke musical scores or dance traces. Key pieces, such as the drawing referred to as 'La Ficelle,' remain open with cut edges, emphasizing imperfection and temporality. The exhibition highlights the tension between line and symbol that persists in her practice.
Key facts
- Exhibition at Galerie Oko, Berlin, from 15 September to 17 November 2007
- Hana Usui trained in classical calligraphy from age six
- After twenty years of calligraphy training, she abandoned the written sign
- Her work features suggestion, irregularity, evanescence, and emptiness
- She enters a trance-like state while painting
- The drawing 'La Ficelle' has cut edges, remaining open
- Her linear compositions resemble musical scores or dance traces
- The exhibition explores the relationship between line and symbol
Entities
Artists
- Hana Usui
Institutions
- Galerie Oko
Locations
- Berlin
- Germany
Sources
- artpress —