ARTFEED — Contemporary Art Intelligence

Guinea's inaugural Venice Biennale pavilion transforms San Servolo with sound, material and postcolonial resonance

exhibition · 2026-04-21

Guinea is participating for the first time in the 61st International Art Exhibition at La Biennale di Venezia, unveiling its first National Pavilion titled 'Le Son de l'Art: l'Écho de la Matière' on San Servolo island. Curated by Carlo Stragapede and themed 'In Minor Keys' by Koyo Kouoh, this pavilion explores sound, silence, and the implications of presence. It features works from Guinean artists Rougui Barry, Fatoumata Kouyaté, and Sékou Oumar Thiam, as well as international creators. The exhibition creates an immersive experience with materials like wood and fabric, reflecting Guinea's Simandou 2040 initiative. Emphasizing intimacy instead of grandiosity, it invites visitors to engage through listening and reflects art's importance in cultural dialogue.

Key facts

  • Guinea presents its first National Pavilion at the 61st Venice Biennale
  • Exhibition titled 'Le Son de l'Art: l'Écho de la Matière'
  • Located on San Servolo island, a former monastery and psychiatric hospital
  • Curated by Carlo Stragapede under Koyo Kouoh's 'In Minor Keys' theme
  • Features Guinean artists Rougui Barry, Fatoumata Kouyaté, and Sékou Oumar Thiam
  • Explores sound, silence, material memory, and postcolonial resonance
  • Subtly references Guinea's Simandou 2040 strategic development programme
  • Rejects spectacle in favor of intimate, listening-based engagement

Entities

Artists

  • Rougui Barry
  • Fatoumata Kouyaté
  • Sékou Oumar Thiam
  • Koyo Kouoh
  • Carlo Stragapede

Institutions

  • La Biennale di Venezia
  • International Art Exhibition
  • Republic of Guinea National Pavilion

Locations

  • Venice
  • Italy
  • San Servolo
  • Guinea

Sources