Guide to Collecting Performance Art: What Changes Hands
Collecting performance art typically involves acquiring documentation, props, scores, or rights rather than the live event itself. The Hero I (2001) by Marina Abramović is cited as an example. The Dallas Collectors Club is mentioned in relation to the work. Collectors may obtain photographs, video, sound recordings, costumes, written instructions, contracts, archival materials, or the right to restage the work under specific conditions. The article, published by Artsy, serves as a guide for collectors navigating this market. It emphasizes that performance art is collectible despite its ephemeral nature, with value residing in the tangible or contractual elements that enable preservation, circulation, or reactivation.
Key facts
- Performance art collecting usually means acquiring documentation, props, scores, or rights, not the live event.
- The Hero I (2001) by Marina Abramović is used as an example.
- The Dallas Collectors Club is associated with The Hero I.
- Collectible forms include photographs, video, sound recordings, props, costumes, written scores, instructions, contracts, and archival materials.
- Rights to stage the work again under specific conditions can also be acquired.
- The article is published by Artsy.
- The guide is aimed at collectors curious about the medium.
- Performance art has a place in the art market despite its ephemeral nature.
Entities
Artists
- Marina Abramović
Institutions
- Artsy
- Dallas Collectors Club
Sources
- Artsy —