ARTFEED — Contemporary Art Intelligence

Gregg Bordowitz Analyzes Glenn Ligon's 'Untitled (I Am a Man)'

publication · 2026-04-22

Gregg Bordowitz has authored a study of Glenn Ligon's 1988 painting 'Untitled (I Am a Man)' for the One Work book series published by Afterall. The painting references signs carried by striking African-American sanitation workers in Memphis, Tennessee, in 1968. Bordowitz examines the work's relevance to representations of self, race, and gender, drawing on cultural studies, philosophy, and psychoanalysis. He connects the painting to other Ligon works such as the Profile Series (1990-91), Narratives, and Runaways (both 1993). The text cites historical figures including Sojourner Truth (1851 speech 'Ain't I A Woman?') and Bo Diddley (1955 song 'I'm a Man'). Bordowitz engages theoretical writings by André Green, Stuart Hall, and Charles Sanders Peirce, arguing for 'Thirdness' as a meaning-making function not limited by identity. The publication is available via MIT Press and Google Books.

Key facts

  • Gregg Bordowitz wrote a study of Glenn Ligon's 'Untitled (I Am a Man)' (1988).
  • The painting references signs from striking African-American sanitation workers in Memphis, 1968.
  • The study is part of Afterall's One Work book series.
  • Bordowitz discusses Ligon's Profile Series (1990-91), Narratives, and Runaways (1993).
  • Historical figures cited include Sojourner Truth and Bo Diddley.
  • Theoretical frameworks from André Green, Stuart Hall, and Charles Sanders Peirce are used.
  • Bordowitz argues for 'Thirdness' as a meaning-making function.
  • The book can be purchased via MIT Press or previewed on Google Books.

Entities

Artists

  • Glenn Ligon
  • Gregg Bordowitz
  • Sojourner Truth
  • Bo Diddley
  • André Green
  • Stuart Hall
  • Charles Sanders Peirce

Institutions

  • Afterall
  • MIT Press
  • Google Books

Locations

  • Memphis
  • Tennessee
  • United States

Sources