Glasgow International 2016 Explores Industrial Legacy Through Contemporary Art

The seventh Glasgow International took place from April 8 to 25, 2016, under the direction of Sarah McCrory, emphasizing the theme of industrial heritage through contemporary artistic expressions. A total of fifteen artists, with eleven being women, showcased their work across eight different locations. The exhibits delved into themes of labor, the production of value, and a revival of craft using industrial materials. Notable pieces included Amie Siegel's film 'Provenance' (2013), which followed the journey of modernist furniture, and Mika Rottenberg's films focusing on production lines. Sheila Hicks presented 'Mighty Mathilde and Her Consort' (2016), while Claire Barclay's 'Bright Bodies' (2016) referenced the history of Kelvin Hall. Other highlights included Aaron Angell's ceramics at the Botanic Gardens and Tamara Henderson's 'Seasons End' (2016), which celebrated nature. Cosima von Bonin's 'Who's Exploiting Who in the Deep Sea?' (2006–2016) and Tessa Lynch's abstracted commute were displayed at GoMA. Participating venues included GoMA, Tramway, Kelvingrove Museum, Mitchell Library, and the Botanic Gardens.