Giulio Turcato's 'American' Side Revealed at Fondazione Giuliani
Fondazione Giuliani in Rome presents a retrospective of Giulio Turcato (Mantua, 1912 – Rome, 1995), curated by Martina Caruso, that challenges the conventional view of the artist as lyrical and introverted. The exhibition highlights Turcato's all-over painting, large-scale works, and a turn toward an anti-compositional paradigm, positioning him as more 'American' in his expansiveness and connected to advanced overseas artistic trends. The show is structured as a crescendo from orphic, two-dimensional pieces to rough, material works, emphasizing color as the driving force. Standout pieces include the 'Cangianti' series, where yellow paintings evoke Mark Rothko, and blue rounded-corner canvases with a velvety, alien elegance. Caruso noted that New York reminded Turcato of Venice, a subtle insight into his work. The retrospective presents Turcato as more contemporary than modernist, suggesting he may be Italy's answer to Rothko.
Key facts
- Giulio Turcato retrospective at Fondazione Giuliani, Rome
- Curated by Martina Caruso
- Exhibition challenges view of Turcato as lyrical and introverted
- Highlights all-over painting and large-scale works
- Shows Turcato's connection to American artistic trends
- Structured as a crescendo from orphic to material works
- Color is the central element, especially in 'Cangianti' series
- Yellow paintings compared to Mark Rothko
- Blue rounded-corner canvases described as velvety and alien
- Caruso: New York reminded Turcato of Venice
Entities
Artists
- Giulio Turcato
- Mary Obering
- Mark Rothko
- Pericle Guaglianone
Institutions
- Fondazione Giuliani
- Artribune
- Biennale di Venezia
Locations
- Rome
- Italy
- Mantua
- New York
- Venice