Giuliano Dal Molin's Concrete Art at Lia Rumma Milan
Giuliano Dal Molin (born 1960 in Schio) presents a solo exhibition at Galleria Lia Rumma in Milan, exploring concrete art through color, form, light, and space. The show spans three floors: the ground floor features a monumental composition on walls, referencing international reductionism (Robert Mangold, Alan Charlton) with a Mediterranean poetic touch; the second floor includes two metaphysical portals and three long sculptural strips blurring media boundaries; the top floor uses only black and white, evoking Azimuth's legacy but reimagined as architectural walls. Dal Molin's handcrafted geometric solids avoid flatness, connecting to a Giovanni Bellini catalog left open in his studio. The artist aims to 'exit the limit of the painting/window that encloses the narrative, to liberate form/color in space,' demonstrating concrete art's contemporary relevance.
Key facts
- Giuliano Dal Molin exhibition at Galleria Lia Rumma, Milan
- Exhibition spans three floors with distinct installations
- Ground floor: monumental composition on walls, referencing Robert Mangold and Alan Charlton
- Second floor: metaphysical portals and three sculptural strips
- Top floor: black and white works evoking Azimuth
- Dal Molin's handcrafted geometric solids avoid industrial flatness
- Artist cites a Giovanni Bellini catalog left open in his studio as influence
- Artist aims to 'exit the limit of the painting/window' to liberate form/color in space
Entities
Artists
- Giuliano Dal Molin
- Ettore Spalletti
- Robert Mangold
- Alan Charlton
- Giovanni Bellini
- Gabriele Salvaterra
Institutions
- Galleria Lia Rumma
- Artribune
- Azimuth
Locations
- Milan
- Italy
- Schio