Gian Maria Tosatti Defines Visual Neorealism in Italian Art
In an article featured in Artribune, artist Gian Maria Tosatti presents "Visual Neorealism" (Neorealismo visivo), a movement emerging from a group of Italian artists who have been active since the 2010s. These creators strive to bridge the gap between art and the public by relocating their works to communal areas. Tosatti critiques the deterioration of the Italian cultural landscape over the past thirty years, which has led to issues like civil silence, racism, and class violence. In response, artists engage in politically charged performances, often at great personal risk, within marginalized communities. Examples include establishing museums in factories occupied by migrants and refurbishing buildings in impoverished neighborhoods. The essay, which references works by Alessandro Bulgini and Andrea Mastrovito, appears in Artribune Magazine #30 and invokes Pier Paolo Pasolini to illustrate the art world's crisis as a decline in public understanding.
Key facts
- Gian Maria Tosatti defines Visual Neorealism as a phenomenon, not a formal movement.
- Visual Neorealism emerged from Italian artists in the 2010s who moved art into public spaces.
- The goal is to rebuild dialogue between art and the state/citizenry.
- Tosatti claims systematic cultural sabotage in Italy over the last 30 years caused civil silence.
- Artists risk personal safety to work in marginalized areas.
- Examples include museums in migrant-occupied factories and boats to rescue polluted islands.
- Pier Paolo Pasolini is quoted on communication and understanding.
- The essay was published in Artribune Magazine #30.
Entities
Artists
- Gian Maria Tosatti
- Pier Paolo Pasolini
- Alessandro Bulgini
- Andrea Mastrovito
Institutions
- Artribune
Locations
- Italy
- Taranto
- New York