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German Pavilion at 2021 Venice Architecture Biennale Imagines 2038

architecture-design · 2026-04-27

The German Pavilion for the 17th International Architecture Exhibition of the Venice Biennale, postponed from 2020 to 2021, presents a speculative future scenario titled '2038: The New Serenity.' Curated by the group 2038, the exhibition envisions a global crisis peaking in 2023, leading to societal collapse and a shift toward Radical Democracy. This new order prioritizes resource redistribution, decentralized digital infrastructure, and weakened private property. The pavilion's concept, developed by a team including Ludwig Engel, features a hybrid physical and virtual experience. Films starring figures like Audrey Tang and Francesca Bria narrate the journey from present to 2038. The project includes a virtual pavilion accessible globally, complementing the physical space. Collaborations with Jonas Staal, Rimini Protokoll, and Goethe-Institut extend the exhibition through events such as 'Training for the Future' and 'Conference of the Absent.' The publication 'Arts of the Working Class' will distribute the concept on the streets. Films will be screened worldwide for six years, fostering local adaptations. The exhibition explores themes of geography, property, technology, and empathy, proposing a world without heroes or villains, where circular economy and AI enhance human connection.

Key facts

  • German Pavilion for 17th International Architecture Exhibition of Venice Biennale (2021) presents '2038: The New Serenity'.
  • Curated by group 2038, the concept envisions a global crisis peaking in 2023 leading to Radical Democracy.
  • Radical Democracy involves resource redistribution, decentralized digital infrastructure, and weakened private property.
  • Exhibition includes a physical pavilion and a virtual pavilion accessible from anywhere.
  • Films feature Audrey Tang, Francesca Bria, and others explaining developments toward 'new serenity'.
  • Collaborations with Jonas Staal, Rimini Protokoll, and Goethe-Institut for events and workshops.
  • Publication 'Arts of the Working Class' will distribute the concept on the streets.
  • Films will be screened worldwide for six years, with local adaptations.
  • The project explores themes of geography, property, technology, and empathy.
  • Proposes a world without heroes or villains, with circular economy and AI enhancing human connection.

Entities

Artists

  • Audrey Tang
  • Francesca Bria
  • Ludwig Engel
  • Jonas Staal
  • Florian Malzacher
  • Rimini Protokoll
  • Nicola Violano

Institutions

  • German Pavilion
  • Venice Biennale
  • Goethe-Institut
  • BDA
  • Arts of the Working Class
  • Artribune

Locations

  • Venice
  • Italy
  • Berlin
  • Germany

Sources