ARTFEED — Contemporary Art Intelligence

Gérard A. Jaeger's 'Rodin et les femmes' Explores the Sculptor's Female Muses

publication · 2026-04-23

In his essay 'Rodin et les femmes', Gérard A. Jaeger catalogs the numerous women who posed for Auguste Rodin, including Rose, Anna, Camille, Isadora, Loïe, Eve, Sophie, Jeanne, Hélène, Safi, Claire, and Renée. These women came from diverse backgrounds: students, maids, duchesses, dancers, artists, adventuresses, French and foreigners. Jaeger argues that Rodin's intense observation of female bodies was not merely aesthetic or hedonistic, but served his artistic inquiry into beauty and 'fall', as previously explored by Sollers in his film on 'The Gates of Hell'. Rodin, according to Jaeger, was also a philosopher, theologian, ethicist, and poet, carrying Dante's 'Divine Comedy' in his pocket. The essay is complemented by photographs of the women and their transformations in Rodin's hands. Jacques Henric provides commentary.

Key facts

  • Gérard A. Jaeger wrote 'Rodin et les femmes'.
  • The essay lists many women who posed for Rodin: Rose, Anna, Camille, Isadora, Loïe, Eve, Sophie, Jeanne, Hélène, Safi, Claire, Renée.
  • Women included students, maids, duchesses, dancers, artists, adventuresses, French and foreigners.
  • Jaeger argues Rodin used female bodies as primary material for his sculpture.
  • Rodin is portrayed as an investigator of beauty and 'fall', not just a hedonist.
  • Sollers' film on 'The Gates of Hell' is referenced.
  • Rodin carried Dante's 'Divine Comedy' in his pocket.
  • The essay includes photographs of the women and their transformations.
  • Jacques Henric contributed to the text.

Entities

Artists

  • Auguste Rodin
  • Camille Claudel
  • Jacques Henric
  • Gérard A. Jaeger
  • Philippe Sollers
  • Dante Alighieri

Institutions

  • artpress

Sources