Georges Didi-Huberman's 'Images malgré tout' Examines Photography as Testimony
Since his first book 'Invention de l'hystérie' in 1982, Georges Didi-Huberman has critically explored the image. His recent essay 'Images malgré tout' (Editions de Minuit) continues this inquiry into representation, photography's testimonial function, and its relationship to reality.
Key facts
- Georges Didi-Huberman published 'Images malgré tout' with Editions de Minuit.
- The essay examines photography as testimony and its relation to reality.
- Didi-Huberman's first book 'Invention de l'hystérie' was published in 1982.
- The work is part of an ongoing critical reflection on the image.
Entities
Artists
- Georges Didi-Huberman
Institutions
- Editions de Minuit
Sources
- artpress —