Geo/Metric Exhibition Explores Geometry's Legacy in Contemporary Art
The exhibition 'Geo/Metric' at an unspecified venue examines how geometric forms in contemporary art have evolved beyond their roots in Conceptual Art and non-objective practices. The show draws on a storied history to argue that geometry has achieved its highest purpose: the freedom of perpetual reinvention. The review, published on artcritical, highlights that for many artists today, geometric shapes no longer signify strict adherence to any school of thought but rather offer a starting point for endless creative possibilities. The exhibition likely includes works from the Grupo Frente, a Brazilian avant-garde movement from the 1950s known for geometric abstraction, though specific artists or works are not detailed in the source.
Key facts
- Exhibition titled 'Geo/Metric' explores geometric forms in contemporary art.
- Geometry in art has evolved beyond strict allegiance to non-objective schools.
- The show suggests geometry has reached its highest accomplishment: freedom of fresh starts.
- The review is published on artcritical under the tag 'Grupo Frente'.
- Grupo Frente was a Brazilian avant-garde movement focused on geometric abstraction.
- The exhibition likely contextualizes contemporary works within the history of geometric art.
- Conceptual Art is referenced as a pressure chamber that transformed geometric practices.
- The review emphasizes the liberating potential of geometric forms today.
Entities
Institutions
- artcritical
- Grupo Frente