Gender Discrimination in the Art World: An Investigation

An investigation by Artribune reveals persistent gender discrimination in the art world, focusing on recognition, market value, and career obstacles for women artists. Historical data from the Venice Biennale shows minimal female participation from 1895 to the 1950s, with rare awardees often forgotten. Bridget Riley's 1968 prize marked a turning point. Contemporary artists like Aryan Ozmaei, Eva Frapiccini, Elena Mazzi, and Laura Cionci share experiences of prejudice, including comments that women are not 'safe investments' or that motherhood hinders careers. The article notes that while institutions now show greater attention, market biases remain. Initiatives like San Francisco's public art park requiring 30% of works by women are cited. The investigation also highlights economic pressures, with artists relying on teaching, residencies, and grants, often delayed in payment. The findings are part of a book 'Who’s art for? Art workers against exploitation' to be presented at Castello di Rivoli on December 6, 2019.