Gala Porras-Kim's Poetic Institutional Critique at kurimanzutto and Venice Biennale
Gala Porras-Kim, a Colombian artist born in Bogotá in 1984, is showcasing her inaugural solo exhibition titled "Espacios del futuro replican los del pasado" at kurimanzutto in Mexico City, which will run until June 13, 2026. Additionally, she is involved in the Special Project of the Applied Arts Pavilion at the 61st Venice Biennale, curated by Koyo Kouoh, until November 22, 2026. Both exhibitions investigate the impact of museums on objects by removing them from their initial settings. The kurimanzutto display features "The Motion of an Alluvial Record" (2024) and the "Uprooted" series (2026), which includes looted murals from Teotihuacan. At the Biennale, Porras-Kim examines dissociation as a deterioration aspect in conservation through diverse media.
Key facts
- Gala Porras-Kim's first solo exhibition at kurimanzutto in Mexico City
- Exhibition title: 'Espacios del futuro replican los del pasado'
- Runs until June 13, 2026
- Participates in 61st Venice Biennale Applied Arts Pavilion Special Project
- Venice Biennale curated by Koyo Kouoh
- Venice project developed with Victoria and Albert Museum
- Venice exhibition at Sale d'Armi del Arsenale until November 22, 2026
- Key work: 'The Motion of an Alluvial Record' (2024) recreates mangrove conditions
- Series 'Uprooted' (2026) reproduces Teotihuacan mural fragments
- Works address Brígido Lara's ceramics and Maya stelae from El Perú-Waka'
Entities
Artists
- Gala Porras-Kim
- Brígido Lara
- Koyo Kouoh
- Señora K'abel
- K'inich B'ahlam II
Institutions
- kurimanzutto
- Victoria and Albert Museum
- Metropolitan Museum of Art
- Ethnological Museum of Berlin
- LACMA
- Dallas Museum of Art
- Saint Louis Art Museum
- Cleveland Museum of Art
- Kimbell Art Museum
- Artishock Revista
Locations
- Mexico City
- Mexico
- Venice
- Italy
- Arsenale
- Bogotá
- Colombia
- Yucatán
- Techinantitla
- Teotihuacan
- Veracruz
- El Perú-Waka'