Gaia Scaramella's 'Senza termine' Explores Human Relationships at Studio Stefania Miscetti

Studio Stefania Miscetti in Rome presents 'Senza termine', a solo exhibition by Roman artist Gaia Scaramella (b. 1979). The show features three series of wall installations combining found objects, natural traces, everyday items, and photographs. 'Senza termine' is a large lozenge aligning ancient good-luck baby shirts with bitumen-drawn wide-eyed faces, evoking maternal emotions. 'Inclinazione naturale' simulates a family gallery with old framed photos silenced by magical growths—wasp nests, dried roots, marble Japanese branches—placed over mouths, suggesting unequal relationships: men emit twisted branches, women appear defensive. 'Concerto per archi' presents a procession of wooden saws with pearl strings replacing blades, reminiscent of saints in Ravenna's churches. Scaramella offers no solutions but lets art's transfiguring power render human relationships visible and perhaps bearable. The exhibition runs at Studio Stefania Miscetti, a thirty-year-old experimental space in Rome.