Gabriela Bettini's First Spanish Retrospective at DA2 Salamanca Explores Trauma, Memory, and Ecology
Gabriela Bettini's debut retrospective in Spain, titled 'Cierta tarde, la más bella de las tardes de mi vida,' is being showcased at DA2 Salamanca, with María Iñigo Clavo as the curator. This exhibition explores her artistic journey between Madrid and Buenos Aires, beginning with 'Memoria del agua,' which includes an unfinished poem by her grandfather, who vanished during Argentina's military dictatorship (1976-1983). Bettini's art delves into themes of trauma, violence, and exile, blending various historical contexts from 17th-century colonial art to contemporary environmental concerns. Her work critiques the role of painting in dispossession and links ecological issues with cultural colonization. It is part of collections such as the Museo Nacional Centro de Arte Reina Sofía and has been displayed worldwide. The exhibition is open until May 24, 2026.
Key facts
- First retrospective of Gabriela Bettini in Spain
- Exhibition title: 'Cierta tarde, la más bella de las tardes de mi vida'
- Curated by María Iñigo Clavo
- Venue: DA2 Salamanca
- Dates: Until May 24, 2026
- Features recent work 'Memoria del agua' with incomplete poem by Bettini's disappeared grandfather
- Artist explores trauma from Argentina's 1976-1983 military dictatorship
- Work examines extractivism, colonialism, and ecological crisis through eco-feminist perspective
Entities
Artists
- Gabriela Bettini
- María Iñigo Clavo
- Edgar Allan Poe
Institutions
- DA2 Salamanca
- Museo Nacional Centro de Arte Reina Sofía
- Ministerio para la Transición Ecológica
- Sandretto Re Rebaudengo
- Jumex
- BIENALSUR
- Parlamento Europeo
- Paço Imperial
- TEA Tenerite Espacio de las Artes
- Ministerio de Cultura
- Comunidad de Madrid
- Sabrina Amrani
- Plataforma de Arte Contemporáneo
Locations
- Salamanca
- Spain
- Madrid
- Buenos Aires
- Argentina
- Turín
- Italy
- Ciudad de México
- Mexico
- Bruselas
- Belgium
- Río de Janeiro
- Brazil
- Tenerife