Gabriel Dawe's 'End of Patriarchy n.1' Debuts as Queer Rebellion
Gabriel Dawe, the conceptual artist known for his rainbow thread installations, has unveiled a new work titled 'End of Patriarchy n.1' (2020). The piece features black scraps of men's suits with visible tears and scars, symbolizing the oppressive male presence in society. Dawe describes the creative process as 'painful but cathartic,' intertwining personal experience with artistic expression. The work continues his exploration of queer identity and liberation, using thread to create intricate rainbow patterns that evoke both anger and freedom. Dawe's signature material—sewing thread—references his childhood desire to learn embroidery from his grandmother, a practice denied to him as 'women's work.' The rainbow motif, a symbol of gay pride and anti-homophobia, appears as a peaceful yet powerful rebellion. The artist, originally from Mexico and now based in the US, gained international recognition with his 'Plexus' series, which began around 2010 and was featured at the 2011 Texas Biennial. 'End of Patriarchy n.1' was first shared on Dawe's social media profiles in early 2020.
Key facts
- Gabriel Dawe created 'End of Patriarchy n.1' in 2020.
- The work uses torn men's suits and thread to critique patriarchy.
- Dawe describes the process as 'painful but cathartic'.
- The rainbow motif symbolizes queer liberation and anti-homophobia.
- Dawe's 'Plexus' series began around 2010 and was shown at the 2011 Texas Biennial.
- Dawe is a Mexican-born conceptual artist and former graphic designer.
- The artist's use of thread references a childhood memory of being denied embroidery lessons.
- The work was first shared on social media in early 2020.
Entities
Artists
- Gabriel Dawe
Institutions
- Texas Biennial
Locations
- Mexico
- United States