Friends of London exhibition revives overlooked history of Latin American artists in 1960s-70s London
Curated by Pablo León de la Barra and Carmen Juliá, "Friends of London" delves into the often-neglected contributions of Latin American artists in London from the late 1960s to the early 1970s. This exhibition builds on Juliá's 2012 presentation at Tate Britain, which featured four galleries: Gallery One, New Vision Centre, Indica, and Signals, highlighting artists such as Lygia Clark, Hélio Oiticica, and Jesús Rafael Soto. Following the closure of Signals in 1966, the show focuses on the post-1968 era marked by exile resulting from political unrest in Mexico, Brazil, and Chile, showcasing artistic innovation through migrant networks with works by David Lamelas, Oiticica, and Cecilia Vicuña, and presenting London as a radical art center amidst a less formalized art scene.
Key facts
- Exhibition curated by Pablo León de la Barra with Carmen Juliá
- Focuses on Latin American artists in London from late 1960s to early 1970s
- Follows Juliá's 2012 Tate Britain display about four London galleries
- Signals gallery closed in 1966 after presenting artists like Lygia Clark and Hélio Oiticica
- Post-1968 period marked by artists fleeing rightwing coups in Mexico, Brazil, and Chile
- Features work by David Lamelas, Hélio Oiticica, Felipe Ehrenberg, and Cecilia Vicuña
- Includes 1974 Arts Festival for Democracy in Chile at Royal College of Art
- Originally reviewed in September 2013 issue of ArtReview
Entities
Artists
- Pablo León de la Barra
- Carmen Juliá
- Lygia Clark
- Hélio Oiticica
- Jesús Rafael Soto
- David Lamelas
- Anthony Caro
- Guy Brett
- Felipe Ehrenberg
- David Medalla
- John Dugger
- Cecilia Vicuña
Institutions
- Tate Britain
- Gallery One
- New Vision Centre
- Indica
- Signals
- Saint Martins
- Whitechapel Gallery
- Tate
- Royal College of Art
- Arts Festival for Democracy in Chile
- ArtReview
Locations
- London
- United Kingdom
- Buenos Aires
- Argentina
- Mexico
- Brazil
- Chile
- Venezuela