Frank Smith's 'Guantanamo' Blurs Fiction and Interrogation Transcripts
Frank Smith's 'Guantanamo', published by Éditions du Seuil in the Fiction & Cie collection, transforms declassified US government interrogation transcripts from Guantanamo Bay into a fictional work. The transcripts, released in 2006 under media pressure, serve as raw material for Smith's stylistic experiment. Through monologues, Q&A formats, and narratives of detainees' journeys between Uzbekistan and Afghanistan, the text unsettles more than a straightforward document. The strategic use of the pronoun 'on' (one/we) disorients the reader, exposing the absurdity of Guantanamo. Smith, known as a poet and radio documentarian, avoids explicit denunciation, aiming instead to articulate the unspeakable with objective force. The work evokes Raymond Depardon's documentary quality and William Burroughs's experimentation, proposing a new form of engaged literature for the 21st century.
Key facts
- Frank Smith's 'Guantanamo' is a fiction based on US government interrogation transcripts from Guantanamo Bay.
- The transcripts were published in 2006 under media pressure.
- The book is published by Éditions du Seuil in the Fiction & Cie collection.
- Smith is a poet and radio documentary maker.
- The text uses monologues, Q&A, and narratives of detainee journeys.
- The pronoun 'on' is used to disorient the reader.
- The work avoids explicit judgment, aiming to articulate the unspeakable.
- It evokes Depardon and Burroughs, proposing engaged literature for the 21st century.
Entities
Artists
- Frank Smith
- Pierre Guyotat
- Jacques Roubaud
- Raymond Depardon
- William Burroughs
Institutions
- Éditions du Seuil
- Fiction & Cie
Locations
- Guantanamo Bay
- Cuba
- United States
- Uzbekistan
- Afghanistan
Sources
- artpress —