Franco Summa's Retrospective at Bag Gallery in Parma
Bag Gallery in Parma presents a solo exhibition of Franco Summa (born 1938), featuring two major installations. On one wall hangs the series 'Segnaletica spirituale' (1971), while opposite stands 'Summaars', a large metal-letter installation with colored background that served as an entrance portal to the 1978 Venice Biennale. A smaller replica of the letter composition closes the exhibition. Summa, an artist from Pescara, uses simple primary colors and forms to create 'counter-signals' in urban contexts, aiming to provoke a small trauma in passersby and foster new awareness of everyday surroundings. His work is described as ironic, political, and intransigent, transforming the city into a stage for brightly colored, large-scale interventions.
Key facts
- Exhibition at Bag Gallery in Parma
- Features 'Segnaletica spirituale' (1971) and 'Summaars' (1978)
- 'Summaars' was entrance portal to 1978 Venice Biennale
- Smaller replica of letter composition closes the show
- Franco Summa born 1938, from Pescara
- Works use simple primary colors and forms
- Artworks act as 'counter-signals' in urban settings
- Summa's work is ironic, political, intransigent
Entities
Artists
- Franco Summa
Institutions
- Bag Gallery
- Venice Biennale
Locations
- Parma
- Italy
- Pescara
- Venice