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Flávio de Carvalho's 1930 Tropical Modernist Vision for a 'City of the Naked Man'

publication · 2026-04-20

In 1930, at the IV Pan-American Congress of Architecture held in Rio de Janeiro, architect Flávio de Carvalho unveiled 'A cidade do homem nu' ('The City of the Naked Man'). As a member of Brazil's Antropofagia avant-garde group, he imagined a tropical city designed for a future society free from cultural limitations. Having studied in Durham and Newcastle-upon-Tyne before returning to Brazil in 1923, de Carvalho encouraged architects to tap into the anthropophagic essence of their continent and revive the primitive 'savage.' The Antropofagia movement, initiated by Oswaldo de Andrade in his 1928 'Manifesto Antropófago,' promoted the idea of cultural cannibalism. De Carvalho's ideas merged tropical modernism with anthropophagic philosophy during Brazil's modernist era.

Key facts

  • Flávio de Carvalho presented 'A cidade do homem nu' ('The City of the Naked Man') in 1930
  • The proposal was delivered at the IV Pan-American Congress of Architecture in Rio de Janeiro
  • De Carvalho represented Brazil's Antropofagia avant-garde group at the congress
  • The architect had studied engineering and painting in Durham and Newcastle-upon-Tyne
  • De Carvalho returned to Brazil in 1923 after his studies abroad
  • The proposal envisioned a metropolis for humanity free from god, property, and marriage
  • Oswaldo de Andrade published the 'Manifesto Antropófago' in 1928
  • The Antropofagia movement involved modern painters, sculptors, and writers based in São Paulo

Entities

Artists

  • Flávio de Carvalho
  • Oswaldo de Andrade
  • Inti Guerrero

Institutions

  • Afterall Journal
  • University of Chicago Press

Locations

  • Brazil
  • Rio de Janeiro
  • São Paulo
  • Durham
  • Newcastle-upon-Tyne

Sources