Feminist Economics Framework Proposed for Artworld by Alternative School of Economics
Ruth Beale and Amy Feneck from The Alternative School of Economics promote feminist economics within the art sector. Their podcast, True Currency, launched during the COVID-19 pandemic, examines how care labor's economic significance has been rendered invisible, a situation worsened by the UK Home Office's visa restrictions on low-wage workers. They utilize JK Gibson-Graham's iceberg metaphor to illustrate the foundational role of unpaid reproductive labor in the economy, emphasizing the art industry's dependence on undercompensated work. Mierle Laderman Ukeles's 1979 performance highlighted the contributions of sanitation workers. Initiatives like Mother House Studios in South London and CASCO in the Netherlands exemplify practical efforts. The Alternative School also organizes workshops at children's centers to address mothers' economic contributions, referencing works like Kate Rowarth's Doughnut Economics and Sarah Jaffe's Work Won't Love You Back.
Key facts
- Ruth Beale and Amy Feneck run The Alternative School of Economics
- Their podcast True Currency explores feminist economics
- COVID-19 lockdowns highlighted care crises and social inequalities
- JK Gibson-Graham's iceberg analogy distinguishes official from unpaid economies
- Mierle Laderman Ukeles performed Touch Sanitation in 1979
- Mother House Studios in South London combines studios with childcare
- CASCO in the Netherlands adopted non-hierarchical structures but lost funding
- Kate Rowarth published Doughnut Economics in 2017
Entities
Artists
- Ruth Beale
- Amy Feneck
- Kathrin Bohm
- Mierle Laderman Ukeles
- Kathrin Böhm
- Kuba Schreder
Institutions
- The Alternative School of Economics
- Autonomy
- Mother House Studios
- CASCO
- We Industria
- UK Home Office
Locations
- South London
- United Kingdom
- Netherlands
- New York City