Fashion's crisis reflects a broader cultural shift from distinction to homogenization
Angelo Argento argues that the current crisis in fashion is not merely economic but represents the collapse of an outdated cultural model affecting all sectors of contemporary imagination, from art to design. He introduces the concept of "lussazione" (luxation), a dislocation of luxury from its symbolic role of distinction to a mechanism of uniformity driven by algorithmic performativity. Fashion has shifted from identity declaration to instant visibility, with objects valued for recognizability rather than singular quality. The relationship between fashion and art has become interchangeable, with museums turning into sets and galleries into showrooms. Argento identifies a paradoxical "regime of homologated distinction" where uniqueness is constructed through repetition. However, he sees emerging a desire to slow down and return to meaning, matter, and depth, proposing a revolution that relocates luxury to its natural seat and centers vision over visibility. The piece is published on Artribune.
Key facts
- Fashion crisis reflects a broader cultural model collapse affecting art, design, and creative industries.
- Angelo Argento introduces the term 'lussazione' (luxation) to describe luxury's dislocation.
- Luxury has shifted from distinction to uniformity in the attention economy.
- Fashion now prioritizes instant recognizability over singular quality.
- Art and fashion collaborations have become interchangeable, with museums as sets and galleries as showrooms.
- A 'regime of homologated distinction' creates uniqueness through repetition.
- Argento sees an emerging desire to return to meaning, matter, and depth.
- The article was published on Artribune.
Entities
Artists
- Angelo Argento
Institutions
- Artribune
- Cultura Italiae
- Accademia Nazionale di Belle Arti di Brera
- UNESCO