Fascist architecture and the challenge of Italy's monumental heritage
Fabrizio Federici's editorial on Artribune examines the complex relationship with the architectural legacy of 20th-century totalitarian regimes, particularly fascism in Italy. He argues that neither material removal nor mental repression is effective; instead, democratic societies must confront these monuments with confidence in their own values. Federici criticizes the lack of critical context in the Fondazione Prada exhibition "Post Zang Tuum Tuum" and highlights the adaptive reuse of fascist-era buildings, such as Palazzo della Civiltà Italiana (now Fendi headquarters) and the disfigured ex-Cinema Impero in Rome. He contrasts the latter with the Cinema Impero in Asmara, Eritrea, which received UNESCO recognition. The piece underscores the role of education and clear communication in helping citizens appreciate formal qualities while understanding historical and ideological contexts.
Key facts
- Fabrizio Federici is the author of the editorial.
- The editorial discusses the legacy of fascist architecture in Italy.
- Federici criticizes the Fondazione Prada exhibition 'Post Zang Tuum Tuum' for lacking historical context.
- Palazzo della Civiltà Italiana was adapted as Fendi headquarters with respect for its structure.
- The ex-Cinema Impero in Rome was altered with an incongruous addition and the word 'Cinema' replaced by 'Spazio'.
- Cinema Impero in Asmara, Eritrea, received UNESCO recognition alongside other rationalist architecture.
- Federici advocates for education and clear communication to help citizens interpret fascist monuments.
- The editorial was published on Artribune in August 2018.
Entities
Artists
- Fabrizio Federici
Institutions
- Artribune
- Fondazione Prada
- Fendi
- UNESCO
Locations
- Italy
- Rome
- Palazzo della Civiltà Italiana
- ex-Cinema Impero
- Asmara
- Eritrea