Fabio Renzi on Street Photography, Non-Duality, and the Eternal City
Street photographer Fabio Renzi discusses his practice, the state of street photography, and the role of social media. He began photographing in 2012 and turned to street photography after the pandemic lockdown, seeking reconnection with people and the world. Renzi describes street photography as a dance where the photographer's body becomes a brush and space a canvas, echoing the non-duality concept of Advaita Vedanta. He believes street photography is in excellent health, accessible and free from economic constraints, but lacks interest from publishers and the art circuit. He served as a judge at the Livorno festival and emphasizes active participation over viewing festivals as lotteries. Renzi advises aspiring photographers to master technique, study good photography, and seek comparison with others, prioritizing sincerity over recognition.
Key facts
- Fabio Renzi started photographing in 2012.
- He began street photography after the pandemic lockdown.
- He describes street photography as a dance and references Advaita Vedanta non-duality.
- He served as a judge at the Livorno photography festival.
- He believes street photography is in excellent health but lacks publisher and art circuit interest.
- He advises mastering technique, studying good photography, and seeking comparison.
- He warns against seeking recognition over sincere need.
- The interview was published on Artribune.
Entities
Artists
- Fabio Renzi
- Miles Davis
Institutions
- Artribune
Locations
- Rome
- Liverpool
- Omkareshwar
- Livorno