Fabien Lerat's Interactive Sculptures at La Galerie, Noisy-Le-Sec
Fabien Lerat's exhibition at La Galerie in Noisy-Le-Sec, France, from September 13 to November 8, 2003, focused on his human-scale interactive sculptures rather than his large-scale works. The pieces, such as Déclic (1989), X ou Pensée (1990), Lonely Planet (2001), Double masque (2001), Liaisons (2001), and A16 (1999), require activation by the viewer through gaze or physical manipulation. They explore physical phenomena, spatial perception, and the relationship between body and architecture. The gallery's apartment-like proportions encouraged an intimate presentation, exemplified by Ellipse (2001), a circular, penetrable mountain chain that hovers above the floor, creating a paradoxical sense of enclosure and accessibility. The exhibition highlighted Lerat's emphasis on exchange and shared experience, where works like Double masque and A16 demand a common equilibrium between participants, blurring intimate and collective spheres.
Key facts
- Exhibition ran from September 13 to November 8, 2003
- Location: La Galerie, Noisy-Le-Sec, France
- Focused on human-scale interactive sculptures
- Works include Déclic (1989), X ou Pensée (1990), Lonely Planet (2001), Double masque (2001), Liaisons (2001), A16 (1999), Ellipse (2001)
- Sculptures require activation by viewer through gaze or manipulation
- Ellipse (2001) is a circular, penetrable mountain chain hovering above floor
- Gallery's apartment-like proportions influenced intimate presentation
- Double masque and A16 require shared equilibrium between users
- Lerat's large-scale works include Habitation hélicoïdale (2000) and ascensionnelle (2002)
- Review by Sandra Cattini in artpress
Entities
Artists
- Fabien Lerat
Institutions
- La Galerie
- artpress
Locations
- Noisy-Le-Sec
- France
Sources
- artpress —