Exhibition explores street as contested space of freedom and exclusion
A new exhibition examines the modern street as a site of both autonomy and precarity, drawing on the Japanese concept of kugai—autonomous spaces historically found at temple and shrine gates and within post towns in Japan. These zones, exempt from state authority, fostered culture and exchange among travelers and performers. The exhibition uses the term rojō (shared ground) as its conceptual core, highlighting how the street remains a space where ownership and governance are fluid, enabling acts of resistance against institutional control. However, it also acknowledges the discomfort and exclusion inherent in such spaces. The show assembles artworks, historical milestones, and critical discourses to address the complex challenges of the contemporary street.
Key facts
- Exhibition uses Japanese concept of kugai (autonomous spaces) as historical reference
- Kugai were located at temple and shrine gates and within post towns in Japan
- These zones were open to travelers and performers, fostering culture and exchange
- Modern rojō (shared ground) is a site of fluid ownership and governance
- Individuals seek autonomy in the street through resistance against institutional control
- Rojō also harbors discomfort and precarity from exclusionary logic
- Exhibition includes artworks, historical milestones, and critical discourses
- Focus is on the increasingly complex challenges of the modern street
Entities
Locations
- Japan