Exhibition Explores Art's Relationship to Capital and Immaterial Value
The exhibition 'And Materials and Money and Crisis,' curated by Richard Birkett in collaboration with artist Sam Lewitt, showcases 11 artists who investigate the influence of immaterial elements on the perception of art. Birkett draws a connection between the dissolution of the gold standard in 1971 and today's financial turmoil, which he views as a significant rupture. Featured works include Cheyney Thompson's 'Broken Volume (10 L)' (2013), Henrik Olesen's 'Produce 1–5' (2013), Emily Wardill's 16mm film 'The Palace' (2013), Maria Eichhorn's immersive saltwater fog chamber (1991), R.H. Quaytman's 'Voyelle, Chapter 26' (2013), and Melanie Gilligan's video pieces (2013). While the exhibition booklet plays a crucial role, the overall presentation feels disjointed, raising doubts about whether art can provide a thorough analysis of global crises.
Key facts
- Exhibition curated by Richard Birkett with artist Sam Lewitt
- Features 11 artists including Sam Lewitt
- Examines immaterial factors in art production and reception
- Links to 1971 gold standard dissolution as key rupture
- Includes Cheyney Thompson's algorithmically arranged concrete sculptures
- Henrik Olesen's work incorporates personal consumer debris
- Emily Wardill's film requires dedicated screening space
- Exhibition originally reviewed in March 2014
Entities
Artists
- Richard Birkett
- Sam Lewitt
- Cheyney Thompson
- Henrik Olesen
- Emily Wardill
- Maria Eichhorn
- R.H. Quaytman
- Melanie Gilligan
- Antony Gormley
Institutions
- Artists Space
- Mumok
- ArtReview
Locations
- New York
- United States