ARTFEED — Contemporary Art Intelligence

Eugenio Barba and Odin Teatret: A Life in Theatre

artist · 2026-04-23

In an interview, Eugenio Barba, the founder of Odin Teatret, shares insights into his artistic philosophy and career. Originally from southern Italy, Barba departed at 18, losing his native language and turning to literature for solace. In 1960, he pursued theatre studies in Poland, where he discovered Jerzy Grotowski's work. Four years later, he established Odin Teatret in Holstebro, Denmark, with five actors who had been turned away from conservatories. His artistic journey was influenced by three pivotal experiences: witnessing Brecht's Mother Courage, Grotowski's The Constant Prince, and Kathakali theatre in 1963. Barba highlights the significance of personal biography in theatre, asserting that it fosters unique artistry. His latest work, La Vie chronique, was showcased at Théâtre du Soleil in 2012 and in Rome in early 2013. Recently, he released a book titled Brûler sa maison – Origines d'un metteur en scène (L'Entretemps), motivated by a desire to honor those who have shaped him and to safeguard knowledge against apathy. He draws parallels between the story of Jesus, the carpenter's son, and Mao's Long March, emphasizing that theatre relies on human dedication rather than financial resources or physical spaces.

Key facts

  • Eugenio Barba founded Odin Teatret in 1964 in Holstebro, Denmark.
  • Barba studied theatre in Poland in 1960 and was an assistant to Jerzy Grotowski.
  • He wrote a book for Grotowski titled À la recherche du théâtre perdu, published in Hungary in 1963.
  • Barba's latest production La Vie chronique was staged at Théâtre du Soleil in 2012 and in Rome in February–March 2013.
  • His book Brûler sa maison – Origines d'un metteur en scène was published by L'Entretemps.
  • Barba identifies three key influences: Brecht, Grotowski, and Kathakali.
  • Odin Teatret's performance space is a 4-5 meter wide corridor with 50 spectators on each side.
  • Barba views theatre as an art of storytelling that must engage the spectator's personal experience.
  • He believes theatre cannot be imitated because each artist's biography is unique.
  • Barba compares his group to the twelve apostles and Mao's early Communist Party, emphasizing small beginnings.

Entities

Artists

  • Eugenio Barba
  • Jerzy Grotowski
  • Constantin Stanislavski
  • Bertolt Brecht
  • Charles Dullin
  • Mao Zedong

Institutions

  • Odin Teatret
  • Théâtre du Soleil
  • L'Entretemps

Locations

  • Italy
  • Poland
  • Norway
  • Denmark
  • Holstebro
  • Rome
  • Hungary
  • China

Sources