Essay on Craig Fisher's Abstract Painting and Philosophical Intentions Published

In June 2003, an essay was released that examined the abstract works of Craig Fisher. Prior to this, Fisher showcased his art at Florence Lynch in October 2002 and at Galerie Corinne Caminade in Paris from March to April 2003. His non-objective pieces draw from a range of styles, including Abstract Expressionism and Impressionism, while also featuring formless or abject qualities. Critics such as David Cohen and Lilly Wei highlighted the presence of volition, chance, and the role of the artist as an agent instead of merely an author. Fisher employs raw canvas as a backdrop, utilizing techniques like pours, smears, and stains, reflecting on the interplay between artistic intent and determinacy, akin to Buster Keaton's mastery over chaos in film. His work eschews irony, offering a straightforward view of art's significance in life.