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Esra Akcan Compares Venice Architecture Biennale and Louvre Abu Dhabi

publication · 2026-04-24

In her article for ARTMargins Online, Esra Akcan conducts a comparative analysis of the 14th International Architecture Biennale of Venice, overseen by Rem Koolhaas, and the Louvre Abu Dhabi's pilot exhibit designed by Jean Nouvel. Akcan categorizes the curatorial strategies in the Biennale's Fundamentals and Absorbing Modernity sections as curator-as-author and curators-as-chorus, respectively. She connects these approaches to contemporary historiographical and museum design trends, including those at the Louvre Abu Dhabi, to explore their geopolitical ramifications. From the Absorbing Modernity section's curators-as-chorus method, she outlines six perspectives for presenting architectural history and advocates for a geopolitically aware cosmopolitan history that highlights the links between modernism, colonization, and persistent global inequalities.

Key facts

  • Article by Esra Akcan published on 02/05/2015
  • Compares 14th Venice Architecture Biennale (directed by Rem Koolhaas) and Louvre Abu Dhabi (designed by Jean Nouvel)
  • Distinguishes curator-as-author and curators-as-chorus in Biennale sections
  • Identifies six methodological perspectives: survey, nationalist history, case study, thematic history, archive metaphor, deferment
  • Differentiates between 'world' and 'global' history of architecture
  • Calls for cosmopolitan global history exposing ties between modernism and colonization
  • Article available at MIT Press with no open access
  • Published in ARTMargins Online

Entities

Artists

  • Esra Akcan
  • Rem Koolhaas
  • Jean Nouvel

Institutions

  • ARTMargins Online
  • Venice Architecture Biennale
  • Louvre Abu Dhabi
  • MIT Press

Locations

  • Venice
  • Italy
  • Abu Dhabi
  • United Arab Emirates

Sources