ESG Pillars and the Evolution of Cultural Enterprises in Italy
The article examines how Italian cultural and creative enterprises are adapting to ESG (Environmental, Social, Governance) criteria, arguing that culture has long embodied environmental and social sustainability. The author, Irene Sanesi, notes that while the European Union's 2030 Agenda initially omitted culture, it now acknowledges culture's transversal role across all pillars. On governance, cultural enterprises lag behind, lacking strategic planning and a 'culture of good governance,' partly due to reliance on delayed public funding. The piece calls for a shift from presentism to long-term vision, enabling access to non-traditional resources. The Italian 'Made in Italy' law (27 December 2023, n. 206) defines cultural and creative enterprises, but the real challenge lies in embedding ESG principles into operations. The article draws an evolutionary analogy: like sheep and giraffes adapting to their environments, cultural enterprises must evolve to thrive.
Key facts
- Italian cultural and creative enterprises face ESG criteria (Environmental, Social, Governance).
- The EU's 2030 Agenda initially omitted culture but now considers it transversal.
- Governance is the weakest pillar for cultural enterprises in Italy.
- The Italian 'Made in Italy' law (27 December 2023, n. 206) defines cultural and creative enterprises.
- Cultural enterprises suffer from presentism and lack of strategic planning.
- Public funding delays are partly blamed for governance shortcomings.
- Culture contributes to welfare and well-being by reducing inequalities and fostering inclusion.
- The article uses an evolutionary metaphor: cultural enterprises must adapt like sheep and giraffes.
Entities
Artists
- Irene Sanesi
Institutions
- Artribune
- BBS-pro Ballerini Sanesi professionisti associati
- BBS-Lombard
Locations
- Italy
- Prato
- Milano