Erik Bullot's Film and Its Double: Boniment, Ventriloquism, and Performativity Explored in artpress

In November 2017, artpress issue 449 featured an article on Erik Bullot's exploration of film and its double, focusing on concepts like boniment, ventriloquism, and performativity. The piece, published on page 69, examines Bullot's artistic approach to cinema, analyzing how these elements interact within his work. It delves into the theoretical underpinnings of his practice, highlighting the interplay between filmic representation and its dualities. The article provides insight into Bullot's methodologies, emphasizing the performative aspects of his filmmaking. Published on November 1, 2017, by artpress, the content offers a detailed look at Bullot's contributions to contemporary film discourse. The analysis situates his work within broader artistic conversations, without adding external commentary or speculation.